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The characters in Andrew Ahn's remake of an Ang Lee classic can get gay-married, but they're going to get fake straight-married instead.
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In the 1960s and '70s, his leggy femmes fatales beckoned from paperback covers and posters for movies like "Breakfast at Tiffany's" and "Thunderball."
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A retelling of Ang Lee's classic of queer cinema comes at the same farcical situation in a new way.
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